Archive for October, 2011
This nice compilation with Union related songs was created to mark the Centenary of the Scottish Trades Union Congress. It shows the close relationship between trade unionism and traditional music in general, and between Scottish singers and musicians and the STUC in particular.
In every country in the world, where working people come together, they organise trade unions to defend an improve their working conditions. In every country in the world, the working people sing and make music about their victories and defeats, their joys and sorrows, laughter and tears.
Please check out Brian McNeil’s “Sell your labour, not your soul” song.
Tracks:
1. Battle of the Somme/Freedom Come All Ye – Dubliners, Luke Kelly
2. Four Stone Walls – Capercaillie
3. Both Sides the Tweed – Dick Gaughan
4. Ravenscraig – Runrig
5. If It Wisnae for the Union – Hamish Imlach
6. Bawbee Birlin’ – Gordeanna McCulloch
7. James Connolly – Christy Moore
8. North by North
9. Contract – Eric Bogle
10. Gauteng – Mara Louw
11. I Am the Common Man – The Battlefield Band
12. Blantyre Explosion – Ewan MacColl
13. Farewell Tae the Haven – The McCalmans
14. Sell Your Labour, Not Your Soul – Brian McNeill
15. Three Nights & A Sunday – Matt McGinn
16. Mothers, Daughters, Wives – Judy Small
17. Te Recuerdo Amanda – Victor Jara
18. Stand Together – Ceolbeg
VA – STUC Centenary Album – If It Wisnae For The Union
This nice compilation with Union related songs was created to mark the Centenary of the Scottish Trades Union Congress. It shows the close relationship between trade unionism and traditional music in general, and between Scottish singers and musicians and the STUC in particular.
In every country in the world, where working people come together, they organise trade unions to defend an improve their working conditions. In every country in the world, the working people sing and make music about their victories and defeats, their joys and sorrows, laughter and tears.
Please check out Brian McNeil’s “Sell your labour, not your soul” song.
Tracks:
1. Battle of the Somme/Freedom Come All Ye – Dubliners, Luke Kelly
2. Four Stone Walls – Capercaillie
3. Both Sides the Tweed – Dick Gaughan
4. Ravenscraig – Runrig
5. If It Wisnae for the Union – Hamish Imlach
6. Bawbee Birlin’ – Gordeanna McCulloch
7. James Connolly – Christy Moore
8. North by North
9. Contract – Eric Bogle
10. Gauteng – Mara Louw
11. I Am the Common Man – The Battlefield Band
12. Blantyre Explosion – Ewan MacColl
13. Farewell Tae the Haven – The McCalmans
14. Sell Your Labour, Not Your Soul – Brian McNeill
15. Three Nights & A Sunday – Matt McGinn
16. Mothers, Daughters, Wives – Judy Small
17. Te Recuerdo Amanda – Victor Jara
18. Stand Together – Ceolbeg
VA – STUC Centenary Album – If It Wisnae For The Union
The elder statesman of literature’s Beat Generation – and, by extension, of the American underground culture – few figures outside of the musical sphere exerted a greater influence over rock & roll than novelist William S. Burroughs. A provocative, controversial figure famed for his unique cut-up prose aesthetic, Burroughs lived the rock lifestyle years before the music itself was even created; the ultimate outsider, he existed on the dark fringes of society in a haze of drugs, guns, and violence, remaining a patron saint of hipsterdom until his dying day. Ultimately, Burroughs’ hold on the popular culture was extraordinary: few artists failed to credit him as an inspiration, and while bands like Steely Dan and the Soft Machine adopted their names from his turns-of-phrase, younger artists like Kurt Cobain and the Disposable Heroes of Hiphoprisy lined up to offer musical support for his occasional excursions into spoken word performing.
The elder statesman of literature’s Beat Generation – and, by extension, of the American underground culture – few figures outside of the musical sphere exerted a greater influence over rock & roll than novelist William S. Burroughs. A provocative, controversial figure famed for his unique cut-up prose aesthetic, Burroughs lived the rock lifestyle years before the music itself was even created; the ultimate outsider, he existed on the dark fringes of society in a haze of drugs, guns, and violence, remaining a patron saint of hipsterdom until his dying day. Ultimately, Burroughs’ hold on the popular culture was extraordinary: few artists failed to credit him as an inspiration, and while bands like Steely Dan and the Soft Machine adopted their names from his turns-of-phrase, younger artists like Kurt Cobain and the Disposable Heroes of Hiphoprisy lined up to offer musical support for his occasional excursions into spoken word performing.
The four (lengthy, as usual) songs occupying this album had been originally recorded in Nigeria as 45 rpm releases.
Fela Kuti – Afrodisiac (1973)
(192 kbps, front cover included)
The four (lengthy, as usual) songs occupying this album had been originally recorded in Nigeria as 45 rpm releases.
Fela Kuti – Afrodisiac (1973)
(192 kbps, front cover included)
Kurt Weill’s ballet with songs is one of this century’s greatest theatrical works. It has all the wit and melodic appeal of The Threepenny Opera and social conscience of Mahagonny, but more warmth and musical sophistication than either. It’s also all over with in about 40 minutes. Some critics believe the piece was intended as a sort of love poem to Weill’s wife, Lotte Lenya; given the tenderness of much of the music, it’s hard to disagree. Lenya herself recorded the piece in the 1950s (a recording recently reissued by Sony) and this very much newer performance is welcome particularly for Anne Sofie von Otter’s highly intelligent and musical way with the text. The other songs, from both Weill’s Berlin and Broadway periods, make the perfect filler.
Tracklist:
Die Sieben Todsünden1) Introduktion: Andante sostenuto “Meine Schwester . . . [3:24]
2) Faulheit: Allegro vivace “Müssiggang ist aller Laster” [3:47]
3) Stolz: Allegretto, quasi andantino “Als wir aber” [4:19]
4) Zorn: Molto agitato “Das geht nicht vorwärts” [4:00]
5) Völlerei: Largo “Das ist ein Brief aus Philadelphia” [2:58]
6) No.5 Unzucht “Und wir fanden einen Mann in Boston” [5:36]
7) Habsucht: Allegro giusto “Wie hier in der Zeitung” [2:56]
8) Neid: Allegro non troppo “Und die letzte Stadt” [5:06]
9) Epilogue “Darauf kehrten wir zurück nach Lousiana” [1:50]
Lady in the Dark
10) 3. My Ship [2:42]
11) 1. One Life to Live [3:01]
Two songs with piano12) Buddy on the Nightshift [2:09]
13) Nannas Lied [4:02]
Happy End (1929)tran. Chris Hazell/Tony Burke
14) 1. Bilbao Song [4:27]
15) 2. Surabaya Johnny [6:01]
16) 6. Das Lied von der harten Nuss (Song of the Big Shot) [1:06]
Three songs with piano17) Je ne t’aime pas [4:29]
18) Schickelgruber [2:51]
19) Der Abschiedsbrief [3:25]
One Touch of Venus
20) Foolish Heart [2:28]
21) Speak Low [3:59]
22) I’m A Stranger Here Myself [3:13]
Anne Sofie von Otter
Bengt Forsberg
NDR-Sinfonieorchester
John Eliot Gardiner
Recording: Hamburg-Harburg, Friedrich-Ebert-Halle, 9/1993
Kurt Weill – Anne Sofie von Otter – Speak Low & the Seven Deadly Sins
(192 kbps, cover art included)
They were only together for about a year in the early ’40s, but the Almanac Singers’ repertoire, and individual members, would go on to much later greatness in the decades that followed. Comprised of folk legends Woody Guthrie, Pete Seeger, Lee Hays, Pete Hawes, and Millard Lampell, the group performed mostly at left-wing political conventions and labor rallies with a set list that mixed the traditional with the political.
The songs contained on “Complete General Recordings” are some of their finest moments, and many of the tunes would see later life covered by the Weavers (Seeger and Hays’s future band) and even – in the case of “House of the Rising Sun” – the Animals.
Produced by another music legend, Alan Lomax, “Their Complete General Recordings” is an essential document of folk music’s history and a great chance to these classic numbers in a raw, unadulterated form. The Almanac Singers may not have sold as many records as their contemporaries (blame that on the unpopular pacifism they preached as the United States entered World War II), but their versions of these tunes are simply timeless.
Tracklist:
1. Blow Ye Winds Heigh Ho – Pete Seeger
2. Away, Rio – Pete Hawes
3. Blow The Man Down – Woody Guthrie
4. House of the Rising Sun – Woody Guthrie
5. Ground Hog – Pete Seeger
6. State of Arkansas – Lee Hays
7. The Weaver’s Song – Ensemble
8. I Ride An Old Paint – Woody Guthrie
9. Hard, Ain’t It Hard – Woody Guthrie
10. The Dodger Song – Lee Hays
11. Greenland Fishing – Pete Seeger
12. The Golden Vanity – Pete Seeger
13. The Coast of High Barbary – Pete Seeger
14. Haul Away, Joe – Pete Hawes
(The name of the artist at the end of each track indicates the lead singer)
The Almanac Singers – Their Complete General Recordings (1941)
(320 kbps, booklet fully scanned)
They were only together for about a year in the early ’40s, but the Almanac Singers’ repertoire, and individual members, would go on to much later greatness in the decades that followed. Comprised of folk legends Woody Guthrie, Pete Seeger, Lee Hays, Pete Hawes, and Millard Lampell, the group performed mostly at left-wing political conventions and labor rallies with a set list that mixed the traditional with the political.
The songs contained on “Complete General Recordings” are some of their finest moments, and many of the tunes would see later life covered by the Weavers (Seeger and Hays’s future band) and even – in the case of “House of the Rising Sun” – the Animals.
Produced by another music legend, Alan Lomax, “Their Complete General Recordings” is an essential document of folk music’s history and a great chance to these classic numbers in a raw, unadulterated form. The Almanac Singers may not have sold as many records as their contemporaries (blame that on the unpopular pacifism they preached as the United States entered World War II), but their versions of these tunes are simply timeless.
Tracklist:
1. Blow Ye Winds Heigh Ho – Pete Seeger
2. Away, Rio – Pete Hawes
3. Blow The Man Down – Woody Guthrie
4. House of the Rising Sun – Woody Guthrie
5. Ground Hog – Pete Seeger
6. State of Arkansas – Lee Hays
7. The Weaver’s Song – Ensemble
8. I Ride An Old Paint – Woody Guthrie
9. Hard, Ain’t It Hard – Woody Guthrie
10. The Dodger Song – Lee Hays
11. Greenland Fishing – Pete Seeger
12. The Golden Vanity – Pete Seeger
13. The Coast of High Barbary – Pete Seeger
14. Haul Away, Joe – Pete Hawes
(The name of the artist at the end of each track indicates the lead singer)
The Almanac Singers – Their Complete General Recordings (1941)
(320 kbps, booklet fully scanned)