Archive for October 10, 2010


The driving force behind the nueva canción movement, singer Mercedes Sosa was born and raised in Tucumán, Argentina, beginning her performing career at age 15 after taking top honors in a radio station amateur competition.

A rich, expressive vocalist and a gifted interpreter, Sosa was dubbed “the voice of the silent majority” for her choice of overtly political material, and alongside artists including Violeta Parra and Atahualpa Yupanqui, she spearheaded the rise of the so-called “nueva canción” movement, which heralded the emergence of protest music across Argentina and Chile during the ’60s. The movement was crippled in 1973 by the CIA-sponsored coup which ousted democratically elected Chilean President Salvador Allende; with her repertoire of songs championing human rights and democracy, Sosa was viewed as a serious threat by the military regime which assumed power, and in 1975 she was arrested during a live performance which also resulted in the incarceration of many audience members.

Death threats forced her to leave Argentina in 1979, and she remained in exile for three years, finally returning with a triumphant comeback performance in February 1982. Sosa recorded prolifically in the years to follow. In fall 2000, Sosa won a Grammy for “Best Folk Album” for “Misa Criolla” at the first annual Latin Grammy Awards, and again in 2003 and 2006 for “Acústico” and “Corazón Libre”, respectively.

On October 4, 2009, after receiving multiple Grammy nominations for the album, “Cantora”, Mercedes Sosa passed away after a long battle with kidney disease. President Kilcher ordered three days of national mourning in her beloved Buenos Aires, culminating in a public funeral procession from the National Congress building to La Chacarita cemetery.

Here´s some Mercedes Sosa´s first album, “Canciones Con Fundamento”, originally released in 1965 on the independent label of her husband Manuel Oscar Matus.

No link.

.Bill Vincent wrote in the original liner notes:
“This album is packed with fourteen tracks of first class SKA type ROCK STEADY numbers, most of which have been in the top ten Ska chart and are now put together to make what to my mind, must be the best R0ck Steady or Blue Beat album ever to be offered to the public at large. If you study the titles and artistes names listed below you will soon be convinced that this is a must for you and like me you will vouch always to make SOUL FOOD your very first meal of the day.”

Tracklist:

Lynn Taitt & The Jets – Soul Food
Alton Ellis – My Time Is The Right Time
Clancy All Stars – CN Express
Carlton Alphonso – Where Is This World
Earl St Joseph – Eastern Promise
The Groovers – You Were Meant For Me
Clancy Eccles – What Will You Mama Say
Tommy Mckenzie & His Orchestra – Fiddle Sticks
Monty Morris – Say What You’re Saying
Clancy Eccles – The Fight
Ernest Ranglin – Heart Beat
Alton Ellis – The Message
Joyce Bond Show – They Wash
Lloyd Terrel – Bang Bang Lulu

No link.

“The Unknown Cases” was a german music project by Helmut Zerlett and Stefan Krachten.
Special Guest on the all-time-dj-track “Masimba Bele” was Reebob Kwaku Baah on vocals and percussion.

This 12 Inch was released in 1983 on Rough Trade.

1. (00:05:52) The Unknown Cases – Masimba Bele
2. (00:04:20) The Unknown Cases – Oëkikawai
3. (00:03:55) The Unknown Cases – Masimba Bele ’96 (Radio Edit) [Bonus Track]

The Unknown Cases – Masimba Bele (12 Inch, 1983)

.Bill Vincent wrote in the original liner notes:
“This album is packed with fourteen tracks of first class SKA type ROCK STEADY numbers, most of which have been in the top ten Ska chart and are now put together to make what to my mind, must be the best R0ck Steady or Blue Beat album ever to be offered to the public at large. If you study the titles and artistes names listed below you will soon be convinced that this is a must for you and like me you will vouch always to make SOUL FOOD your very first meal of the day.”

Tracklist:

Lynn Taitt & The Jets – Soul Food
Alton Ellis – My Time Is The Right Time
Clancy All Stars – CN Express
Carlton Alphonso – Where Is This World
Earl St Joseph – Eastern Promise
The Groovers – You Were Meant For Me
Clancy Eccles – What Will You Mama Say
Tommy Mckenzie & His Orchestra – Fiddle Sticks
Monty Morris – Say What You’re Saying
Clancy Eccles – The Fight
Ernest Ranglin – Heart Beat
Alton Ellis – The Message
Joyce Bond Show – They Wash
Lloyd Terrel – Bang Bang Lulu

No link.

“The Unknown Cases” was a german music project by Helmut Zerlett and Stefan Krachten.
Special Guest on the all-time-dj-track “Masimba Bele” was Reebob Kwaku Baah on vocals and percussion.

This 12 Inch was released in 1983 on Rough Trade.

1. (00:05:52) The Unknown Cases – Masimba Bele
2. (00:04:20) The Unknown Cases – Oëkikawai
3. (00:03:55) The Unknown Cases – Masimba Bele ’96 (Radio Edit) [Bonus Track]

The Unknown Cases – Masimba Bele (12 Inch, 1983)

. “This Is Calypso” was released in 1968 on Trinidad & Tobago, featuring calypso artists like Duke, Canary, Fighter and Lord Blakie.
Tracklist:
A 1: Duke – What Is Calypso
A 2: Duke – Woman Baccanal
A 3: Canary – Beatnik Generation
A 4: Canary – Tribute To Luther King
A 5: Fighter – What You Sow You Reap
B 1: Fighter – Pom Pom
B 2: Fighter – Send Me Instead
B 3: Lord Blakie – Monica
B 4: Lord Blakie – We Ain’t Going Back Again
B 5: Duke – Send Them Girls By Me

(192 kbps, front cover included)

The German soprano, Stefanie Wüst, had worked before her singing studies, first in costume field and as assistant at several major German theaters (Oper und Ballett Frankfurt, Schauspielhaus Hamburg, Staatsoper München), and for several years worked in the films by Alexander Kluge. In addition to her singing studies at the Musikhochschule in Cologne she attended master-classes, including Edith Mathis and Gisela May.

In 1983 Stephanie Wüst appeared at the Kölner Schauspielhaus in the “Dreigroschen-oper” (Director: Jürgen Flimm). In 1989 she founded the ensemble KURZWEIL, in different combinations, especially for interpreting the works of Kurt Weill and Hanns Eisler. In 1993 she released the album “Kurt Weill – A Musical Portrait” and she was the first in Europe to present Weill’s long hidden early cycle “Ofrahs Lieder”.

The selection chosen for this collection traces Weill´s development on two levels: the situation of his personal life and the evolution of his artistic expression.

Tracks:
1. Im Volkston
2. Ofrah’s Lieder: In Meinem Garten Steh’n Zwei Rosen
3. Ofrah’s Lieder: Nichts Ist Die Welt Mir
4. Ofrah’s Lieder: Er Sah Mir Liebend In Die Augen
5. Ofrah’s Lieder: Denkst Du Des Kuhnen Flugs Der Nacht
6. Ofrah’s Lieder: Nur Dir Furwahr, Mein Stolzer Aar
7. Julia, Das Schone Kind
8. Die Stille Stadt
9. Berlin Im Licht-Song
10. Klops-Lied
11. Pollys Lied
12. Liebeslied
13. Surabaya-Johnny
14. Es Regnet
15. Der Abschiedsbrief
16. Complainte De La Seine
17. Youkali – Stephanie Wust/Albert Rundel/Thomas Wise
18. Je Ne T’aime Pas
19. J’attends Un Navire
20. Nannas Lied
21. Buddy On The Nightshift
22. Dirge For Two Veterans

Stefanie Wüst – Kurt Weill – A Musical Portrait

(192 kbps)

I´m definitly touched by this tune, so I decided to share it on this blog.

Thanks a lot to http://rippammell.blogspot.com for bringing this tune to my ears. This single was introduced with the following words on this very interesting blog – and there is nothing to add:

“Apocalyptic song but it really describes the situation! Musically, I think is beatiful, danceable but also very conscious and intense!! I reported all the data that were on the cover because I think that behind this production there is a huge staff!!!
Make your this perfect tune…”

Side A:
Afrika Is Burning And The Black Man Is Doing The Freak (Vocal – 6:53)

Side B:
Afrika Is Burning And The Black Man Is Doing The Freak (Dub 6:53)

Vocals: Safi Allah Abdullah
Music: Safi Allah Abdullah
Lyrics: Safi Allah Abdullah
Arrangement: Eugene Gray
Recorded At: Right Track Recorders, N. Y. C. – Franos, Brooklyn, N. Y. C.

Safi Allah Abdullah – Afrika Is Burning And…
(192 kbps, cover art included)

I´m definitly touched by this tune, so I decided to share it on this blog.

Thanks a lot to http://rippammell.blogspot.com for bringing this tune to my ears. This single was introduced with the following words on this very interesting blog – and there is nothing to add:

“Apocalyptic song but it really describes the situation! Musically, I think is beatiful, danceable but also very conscious and intense!! I reported all the data that were on the cover because I think that behind this production there is a huge staff!!!
Make your this perfect tune…”

Side A:
Afrika Is Burning And The Black Man Is Doing The Freak (Vocal – 6:53)

Side B:
Afrika Is Burning And The Black Man Is Doing The Freak (Dub 6:53)

Vocals: Safi Allah Abdullah
Music: Safi Allah Abdullah
Lyrics: Safi Allah Abdullah
Arrangement: Eugene Gray
Recorded At: Right Track Recorders, N. Y. C. – Franos, Brooklyn, N. Y. C.

Safi Allah Abdullah – Afrika Is Burning And…
(192 kbps, cover art included)

Arlo Guthrie’s seventh record follows a formula that he’d been developing over the past several years – a handful of interesting originals mixed with a song or two by a legend, something traditional, a couple of jokes, and one of Dad’s tunes.

 
Guthrie’s fondness for nostalgia mixed with his ’60s idealism could turn such predictability into folky mush, but things are kept fresh by his strong sense of tradition, commitment, and taste, along with his growth as an artist in general. As far back as “Alice’s Restaurant”, Guthrie proved himself to be an affable performer, but the 1970s showed an added depth and maturity with each new release.
The Nixon diatribe “Presidential Rag” and the Mideast peace plea “Children of Abraham” bookend Woody Guthrie’s “Deportees” nicely, while Jimmie Rodgers’ “When the Cactus Is in Bloom” is a good fit with Arlo’s bucolic tales “Me and My Goose” and “Bling Blang.” Elsewhere, “Nostalgia Rag” hints at Randy Newman, “Go Down Moses” has the backing of a full gospel choir, “Won’t Be Long” sports a country feel, and “Hard Times” is mountain music.
Along with producers John Pilla and Lenny Waronker, Arlo chooses from a cream-of-the-crop collection of musicians to pull off this eclectic mix. And it’s to his credit that he’s successful more often than not. Though there’s nothing drastically different here for Guthrie, the album continued a steady growth through the ’70s, which placed him firmly at the doorstep of what would be the pinnacle of his career.

No link.