Archive for October 21, 2010


ARI UP (SLITS) – On stage 1977

Ari Up, member of the Slits, died on Wednesday at age 48. Up’s stepfather, the Sex Pistols’ John Lydon, announced her death from a “serious illness” on his website. Up, a.k.a. Arianna Forster, formed the Slits with Palmolive (Paoloma Romero) and Viv Albertine when she was just 14, and the band’s mix of punk, reggae, and politics made them trailblazers. Meanwhile, the Slits’ last video, “Lazy Slam,” has been released posthumously according to Up’s wishes.
There’s no denying the importance of the Slits, especially their 1979 album “Cut”. The group’s dizzy blend of dub rhythms, post-punk artiness, punk attitude and unpracticed enthusiasm was thrilling and unique, both when it first came out and 30 years later as well. On top of the glorious clatter and bounce of the music were Ari Up’s vocals. Yes, they may have wandered, they may have grated at times, but her style was perfect for the band and perfect for the times.

After “Cut”, both the band and Up went through all kinds of changes that led to some interesting music at times – espcially her work with the Adrian Sherwood-produced, avant-garde reggae group the New Age Steppers.

Up’s death this week at the tragically young age of 48 gives us pause, and spurs us to remember just how influential, and fun, the Slits were at their peak.

To honour Ari Up we post the debut 12″ release from The Slits on Island records in 1979 with the wonderful tracks “Typical Girls” and “Grapevine”.

Tracks:
01. Typical Girls / Brink Style
02. I Heard It Through The Grapevine / Liebe And Romanze

The Slits – Debut 12 Inch (Island, 1979)
(128 kbps, cover art included)

Rest in peace!

ARI UP (SLITS) – On stage 1977

Ari Up, member of the Slits, died on Wednesday at age 48. Up’s stepfather, the Sex Pistols’ John Lydon, announced her death from a “serious illness” on his website. Up, a.k.a. Arianna Forster, formed the Slits with Palmolive (Paoloma Romero) and Viv Albertine when she was just 14, and the band’s mix of punk, reggae, and politics made them trailblazers. Meanwhile, the Slits’ last video, “Lazy Slam,” has been released posthumously according to Up’s wishes.
There’s no denying the importance of the Slits, especially their 1979 album “Cut”. The group’s dizzy blend of dub rhythms, post-punk artiness, punk attitude and unpracticed enthusiasm was thrilling and unique, both when it first came out and 30 years later as well. On top of the glorious clatter and bounce of the music were Ari Up’s vocals. Yes, they may have wandered, they may have grated at times, but her style was perfect for the band and perfect for the times.

After “Cut”, both the band and Up went through all kinds of changes that led to some interesting music at times – espcially her work with the Adrian Sherwood-produced, avant-garde reggae group the New Age Steppers.

Up’s death this week at the tragically young age of 48 gives us pause, and spurs us to remember just how influential, and fun, the Slits were at their peak.

To honour Ari Up we post the debut 12″ release from The Slits on Island records in 1979 with the wonderful tracks “Typical Girls” and “Grapevine”.

Tracks:
01. Typical Girls / Brink Style
02. I Heard It Through The Grapevine / Liebe And Romanze

The Slits – Debut 12 Inch (Island, 1979)
(128 kbps, cover art included)

Rest in peace!

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“I was the first son-of-a-gun out there. Me and Chuck Berry. And I’m very sick of the lie. You know, we’re over that black-and-white crap, and that was all the reason Elvis got the appreciation that he did. I’m the dude that he copied, and I’m not even mentioned.”
– Bo Diddley, 2005

“Bo Diddley” is the debut album by rock and roll pioneer and blues icon Bo Diddley. It is a compilation of his singles since 1955 and collects several of his most influential and enduring songs. An innovative guitarist, prolific songwriter, and sensational vocalist (check out “Dearest Darling”), Diddley had an influence on rock music from Buddy Holly to U2 that was all pervasive.

For anyone who wants to play rock & roll, real rock & roll, this is one of the few records that you really need. Along with Chuck Berry, Elvis, Little Richard, Jerry Lee Lewis, Muddy Waters, B.B. King, and a few select others, Bo Diddley was one of the founders of the form & he did it like no other. Diddley had only one real style, that being the Bo Diddley beat: a syncopated, rhythmic drive, loaded with tremolo. There are many examples of it on this record, and that is about all you need. It’s one of those records that, after listening to just a few cuts, will find you tapping the beats on every available surface. Diddley’s guitar and vocals have a gruff feeling that recalls bluesmen such as Waters, yet he has his own style. Buttressed by drums, funky piano, and usually maracas, it’s absolutely infectious.

No link.

The PinkPudelCrew is lucky to present the film “Children Of September” next tuesday, (October, 26) at “Größenwahn”, Kinzigstr. 9, 10247 Berlin.

“Children Of September” is a documentary film about the military putsch in Turkey on 12th September 1980 from the view of five eyewitnesses.

Five young people, four cities (Berlin, Copenhagen, Zurich and Paris). Everyone of them was born in a different region of Turkey. What their biographies have in common is the fact that their families had gone through the violence of the putsch on 12th September 1980.

How do the children who hanging on to their families apron strings had to emigrate to those countries live today? Are they, as were their parents, involved in politics? Do they have some special characteristics which make them the “Children of September”?

One of the directors and one of the protagonists will take part at the screening and invite you to a discussion about the topic and the film. The entry is free and you are welcome!

The PinkPudelCrew is lucky to present the film “Children Of September” next tuesday, (October, 26) at “Größenwahn”, Kinzigstr. 9, 10247 Berlin.

“Children Of September” is a documentary film about the military putsch in Turkey on 12th September 1980 from the view of five eyewitnesses.

Five young people, four cities (Berlin, Copenhagen, Zurich and Paris). Everyone of them was born in a different region of Turkey. What their biographies have in common is the fact that their families had gone through the violence of the putsch on 12th September 1980.

How do the children who hanging on to their families apron strings had to emigrate to those countries live today? Are they, as were their parents, involved in politics? Do they have some special characteristics which make them the “Children of September”?

One of the directors and one of the protagonists will take part at the screening and invite you to a discussion about the topic and the film. The entry is free and you are welcome!